07
Dec 10

Free the Streets

I’ve been playing around with this design for a couple of days. This version is pretty simple, but unlike some of the other drafts it doesn’t get in the way  (too much) of the original photograph’s story and energy.

This photo comes from a set put up on Flickr by Stephane Missier, taken in Brooklyn on a hot summer day, and I have to say, they are the most amazing [summer + fire hydrant + kids] photos I have ever seen. If you are looking for [fire hydrant + kids] photos, this is the spot. Or at least a good place to check out.

These photos catch the mischievous ingenuity that sets it off, the pride, the joy, the coming together of community, the euphoria of a moment of freedom, the relief from heat and release from monotony. We see play, we see posing, but we also see a prohibitive and punitive architecture in the form of barbed wire, fences, and cops. Surrounded by stop signs and other orders, the streets are opened to everyone with the turn of a valve.

I was searching for this kind of image, an image to free the streets.

After Nomanzland’s chant: Free the Streets / Lock Up The Police.

After Josh MacPhee’s Free the Land.

And after Roger Hart’s piece on “containing children”.

Most people, maybe even most radicals, would look at playgrounds as fairly benign. But Roger Hart tells an interesting story about the origin of playgrounds.

The playground movement was motivated by fear, propelled by concerns with poor, migrant children playing in the streets. It was dirty and it was anarchy. So playgrounds were created and deemed an appropriate location for play.

But children didn’t surrender the streets. Some broke glass and spread it on the road to force traffic to slow down. And they didn’t surrender their ability to create play wherever they happened to be.

As part of building a democratic society, Hart works today to create ways to meaningfully involve children in decision-making, including in designing their own physical environments and play spaces, in ways that make sense for them.

The playground is an adult’s narrowly construed vision of play. It is also an interesting metaphor that illustrates how the vital principle “not about us, without us” is ignored.

When I did youth organizing, the vision of youth involvement in decision-making as a hierarchical youth council, modelled as a “junior” version of adult city council, was our playground. Our vision of participation was much more broad and much more inclusive. We wanted a real voice in decision-making on issues that affected us (basically, everything) not just a seat at a kids’ dinner table. We constantly butted our heads against established ideas about what participation should look like (basically, an empty gesture).

These attempts at containment leave so much to be desired, and so much to be experienced – we know that this can’t be life.

So, with this image, I want to celebrate the spirit of freedom and direct action, especially as embodied by kids, and as played out in the streets, because really, no matter how hard they may try, how far they institutionalize and bureaucratize, the spirit of freedom can never be contained!


13
Jul 10

Harvey Pekar (1939-2010) and Reverberations

Harvey Pekar. Underground comic book legend. I hardly knew him. Read his book on Students for a Democratic Society last year. I was surprised when I heard the news and initially got distracted by his feud with David Letterman. Amazing to see him cut through the veneer of network television by just being himself, insulting Letterman and the practices of network owner General Electric. Later, I dug a little deeper and went back to some scans I made from the SDS book. With G20 still on my mind, these panels spoke to me.

From Students for a Democratic Society: A Graphic History (2008). Written (mostly) by Harvey Pekar, Art (mostly) by Gary Dumm, Edited by Paul Buhle.

No, I don’t think it’s the “same thing”, but there are definitely connections to be made between what happened during the G20 and what happens everyday in poor, racialized communities in Toronto. Police being instruments of repression and violence is not new. They were doing their jobs. And it’s the same police officers. The same officers on the beat in communities like Jane-Finch, the same officers who are responsible for the death of 18-year-old Junior Manon, who said that Junior was not murdered, who insisted that he suffered a heart attack.

So with that said, much respect goes out to Nomanzland and community groups in Jane-Finch for making the connections. It was at their arts hub opening on June 29 where the Mayor made his first (and only partial) apology for the abuse that people experienced during the G20. This was because he was confronted by the reality of people’s experiences and made to face the truth. More people need to face this truth, not just about what happened during the G20 but about the daily reality and effects of policing.